To tie in with a horror exhibition at the EMP Museum in Seattle, horror maestro Roger Corman gave some background into the success of "Dinocroc" and the ludicrous "Sharktapus". Bad news for all of us scriptwriters that sweat over spec scripts for five years: all these films came from brainstorming sessions around titles! The rest was filled in by the team.
I've sat in on these sort of projects and nearly got a horror story set in Pyrenees going because of one. Before you rush around saying, "I could do that", remember that in these cases it's not what is being said that makes the difference, it's who is saying it and to whom!
PS: if anyone is interested in a low-budget slash movie set in the Pyrenees or Europe's first car tuning movie, you know who to contact.
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