Ten years ago, the magazine Cinergie was struggling as a print magazine. It decided to dump paper and focus on providing an online news mag with interviews and comments on the Belgian scene. Ten years later, they are still going strong (75,000 visitors a month) and are planning to start showing short movies online starting with Marie-Laure Guisset's award-winning "Home Sweet Gnome".
In an interview for their partner publication Cineuropa, editorJean-Michel Vlaeminckx says, "In a way, we are like Belgian cinema: a maximum of ideas with a minimum of money." The Belgian Touch - low-key, off-beat movies done on shoestring budgets - has generated considerable press over the past few years. Yet Vlaeminckx echoes Screenplay Europe's wish for a broader impact for creativity. "You know, when incredible films like 'L'Avventura', 'la Dolce vita', 'Breathless', 'Monika' appeared and changed the cinema landscape… Those actors were popular and had a real audience, and they revolutionized cinema. But because of audiovisual formatting, and the fact that the rotation of films in theatres is quicker and quicker (mega profits need to be made in a very short lapse of time) and television has become the forced partner of cinema [and] is imposing its consensual norms, European cinema has lost some of its vitality."
To read the full interview (in English, French, Italian or Spanish), visit Cineuropa. For the 100th issue of Cinergie (in French), click here. This month's featured movie is Fiona Gordon and Dominque Abel's "Iceberg".
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