PEOPLE’S CHOICE AWARD 2014

Philomena, by Stephen Frears

The European Film Academy's (EFA) People’s Choice Award enables film fans across Europe to elect their favourite film. Whereas the EFA invites Europe’s greatest film stars, directors, actors and actresses, to attend the annual European Film Awards, the People’s Choice Award sheds a spotlight on the audience's choice of films. 

The voting for this year’s award has started, with a chance to join winners and nominees for the awards ceremony in Riga!

Winners in the past have included films such as Pedro Almodóvar’s VOLVER, Roberto Benigni’s LA VITA E BELLA, Jean-Pierre Jeunet’s AMÉLIE, Fatih Akin’s HEAD-ON, and Danny Boyle’s SLUMDOG MILLIONAIRE. In 2013, the EFA People's Choice Award went to THE GILDED CAGE by Ruben Alves .

Film fans can cast their vote on the official website and possibly win a trip to the 27th European Film Awards on Saturday, 13 December 2014, in Riga, European Capital of Culture 2014.

Nominated films

BEAUTY AND THE BEASTLA BELLE ET LA BÊTE

DIRECTED BY: Christophe Gans
WRITTEN BY : Christophe Gans & Sandra Vo-Anh
MAIN CAST: Vincent Cassel, Lea Seydoux, André Dussolier

IDA
DIRECTED BY: Pawel Pawlikowski
WRITTEN BY: Pawel Pawlikowski & Rebecca Linkiewicz
MAIN CAST: Agata Kulesza, Agata Trzebuchowska, Dawid Ogrodnik, Jerzy Trela 

NYMPHOMANIAC
WRITTEN & DIRECTED BY: Lars von Trier
MAIN CAST: Charlotte Gainsbourg, Stellan Skarsgård, Stacy Martin, Shia LaBeouf

PHILOMENA (photo)
DIRECTED BY: Stephen Frears
WRITTEN BY: Steve Coogan & Jeff Pope
MAIN CAST: Judi Dench, Steve Coogan, Sophie Kennedy Clark

THE 100-YEAR-OLD MAN WHO CLIMBED OUT OF THE WINDOW AND DISAPPEARED HUNDRAÅRINGEN SOM KLEV UT GENOM FÖNSTRET OCH FÖRSVANN

DIRECTED BY: Felix Herngren
WRITTEN BY: Felix Herngren (screenplay), Hans Ingemansson (screenplay), Jonas Jonasson (novel)
MAIN CAST: Robert Gustafsson, Mia Skäringer, Alan Ford

TWO DAYS, ONE NIGHT DEUX JOURS, UNE NUIT

WRITTEN & DIRECTED BY: Jean-Pierre & Luc Dardenne
MAIN CAST: Marion Cotillard, Fabrizio Rongione

The winner of the EFA People’s Choice Award 2014 will be announced on stage during the European Film Awards Ceremony on 13 December in Riga.

François Ozon wins screenwriring award for Dans la Maison

French writer/director François Ozon won the scriptwriting award at the 2013 European Film Awards, held in Berlin December 7 2013.

Ozon, the director of "Potiche", "La Piscine" and the recent "Jeune et jolie", was representing "Dans la maison/In the House", starring Fabrice Luchini and Kristin Scott Thomas (photo).

The main winner at the event, however was the remarkable "La Grande Bellezza/The Great Beauty", which won awards for the Best Film, Best Actor (Toni Servillo), Best Director (Paolo Sorrentino) and Best Editor (Cristiano Travaglioli).

The full list of winners can be found at the EFA website.

FIFF scriptwriting award goes to "La Mosquée"

For its 25th edition, the annual French-speaking film festival of Namur (Belgium), awarded the screenwriting prize to writer/director Daoud Aoulad-Syad for "La Mosquée/The Mosque/Jamaâ".

The Franco-Moroccan production tells the tale of a Moroccan villager whose life is turned upside down when a fake mosque is built on his land for a movie. When the filming is finished, everything is taken down except the mosque. The film was produced by Film du Sud, Aoulad-Syad's own production company.

The Bayard d'Or for best film went to Romania's "Tuesday, After Christmas"(Marti, dupa craciun) by Radu Muntean, written by Alexandru Baciu, Răzvan Rădulescu and Radu Muntean.

Festival website: FIFF

Mia Hansen-Love wins Lumiere script award

Mia Hansen-Löve, writer-director of "Le père de mes enfants/Father of my Children" won the screenplay award at this year's Lumière awards in Paris, January 15 2010. The film, detailing the fall from grace of a film producer, was the surprise winner against multiple nominee "Un prophète/A Prophet".

The awards are given by the foreign press for French or French-speaking films. Other winners include "Welcome", "A Prophet" (director and actor), actress Isabelle Adjani and best Francophone film for "J'ai tué ma mère" by Canada's Xavier Dolan.

Read more about "Le père de mes enfants.

La Palme dort!

Brilliant headline from France's "Scénaristes" magazine: "La palme dort". Translated, it means "The Palm is sleeping". Sub-headline: "The world's biggest film festival continues to marginalise scriptwriters. How about a change?"

An example? It's probably worth remembering that last year the scriptwriters of France's biggest hit (by far), "Bienvenu chez les Ch'tis/Welcome to the Sticks", were not invited to attend the screening at Cannes. No room on the list, apparently. Cannes is basically a celebration of the cult of the director-as-author, to the point where the actual writers drop off the map. I'm not sure if Scénaristes can change that. But the French writers' union UGS that publish the magazine are very active at Cannes, organising a script market tied with breakfast meetings with producers and directors, as well as a "white night" - definitely worth checking at Cannes. Check here for details. Way to go.

New Adjani film debuts on TV

Purely by accident, I caught most of the new Isabelle Adjani film "La journée de la jupe" written and directed by Jean-Paul Lilienfeld on Arte recently. I was impressed by the young cast and wondered why I hadn't heard about it before. The reason is that the film actually premièred on television, and is only now being released in France and Belgium. Isn't this backwards logic? Aren't we told that movies should be in the theatres first and then on TV and lastly on DVD? It's all the more interesting as the film brought Arte its biggest audience rating to date, nearly 2.5 million spectators or almost 9.6% of French TV audiences.

It will be interesting to see if this creates a buzz for the release. It certainly worked for Arte. The film has caused such debate that Arte decided to postpone the re-broadcasts. A message on Isabelle Adjani's blog invites people to catch the movie in theatres. Arte is a co-producer with Mascaret Films, Fontana and the RTBF. Visit the official site (in French).

12th international scriptwriters festival in France

The French town of Bourges will host the 12th International Scriptwriters festival, between March 25 and 29. The event is popular, featuring round tables, a writing competition, workshops (with a focus on writing for TV), audience-friendly events that include the analysis of popular films and events around animation and documentaries. All events are in French.

Find more details here.

"Seraphine" picks up 7 awards in France

The biopic "Séraphine" walked away with no less than 7 Césars at France's annual film awards. It had been nominated in nine categories and took prizes including best actress for Yolande Moreau, best original screenplay, best cinematography, best score, best art direction and best costumes. It pushed out the impressive "Mesrine" series, with Vincent Cassel nonetheless picking up a best actor award.

Inevitably, the blogosphere was again full of claims that the Césars snub the French audience (as in previous years). A notable absence was the runaway hit "Les Ch'tis" (Welcome ot the Sticks) that only managed a nomination in the original screenplay award. Although it unikely that it deserved to win in that section, it is unusual that such a huge hit should be passed over on the night. As actor Dany Boon pointed out, there should be a section for Best Comedy - a genre that France can still excel in but is perhaps a little too low-brow for the august academy.

The full list of César winners:

Best Picture
Seraphine, dir : Martin Provost

Best Actor
Vincent Cassel, Mesrine

Best Actress
Yolande Moreau, Seraphine

Best Director
Jean-Francois Richet, Mesrine

Best Original Screenplay Martin Provost, Seraphine

Best Adapted Screenplay Laurent Cantet, Francois Begaudeau and Robin Campillo, The Class

Best First Film
I've Loved You So Long, dir: Philippe Claudel

Best Supporting Actress
Elsa Zilberstein, I've Loved You So Long

Best Supporting Actor
Jean-Paul Roussillon, A Christmas Tale

Best Newcomer, Male
Marc-Andre Grondin, Le Premier Jour Du Reste De Ta Vie

Best Newcomer, Female
Deborah Francois, Le Premier Jour Du Reste De Ta Vie

Best Score
Michael Galasso, Seraphine

Best Cinematography
Laurent Brunet, Seraphine

Best Costumes
Madeline Fontaine, Seraphine

Best Art Direction
Thierry Francois, Seraphine

Best Editing
Sophie Reine, Le Premier Jour Du Reste De Ta Vie

Best Sound
Alexandre Widmer, Francois Groult, Gerard Hardy, Herve Buirette, Jean Minodo, Mesrine

Best Foreign Film
Waltz With Bashir, dir: Ari Folman

Best Documentary
Les Plages d’Agnes, dir: Agnes Varda

Best Short Film
Les Miettes, dir : Pierre Pinaud

The Secret of Kells scores a home victory

The Irish-themed animation "The Secret of Kells" brought it all back home recently, when it won the Best Irish Film award at the 2009 Jameson Dublin International Film Festival. It won against strong challenges from fellow nominees Five Minutes of Heaven, The Yellow Bittern: The Life and Times of Liam Clancy and The Daisy Chain.

Writers on Kells are Tomm Moore for the story and Fabrice Ziolkowski for the screenplay. Ziolkwski is a prolific writer for TV in France, reflecting the fact that Kells was a co-production between France, Ireland and Belgium, with a lot of talent from each country involved. It is currently on release in France and Belgium.

Full list of nominations and winners:

BEST PERFORMANCE
Tom Hardy - Bronson (Winner)
Toni Servillo - Il Divo
Clint Eastwood - Gran Torino
Meryl Streep - Doubt

BEST DOCUMENTARY
Anvil! The Story of Anvil (Winner)
Religilous
Chris & Don: A Love Story
American Teen
Encounters at the End of the World

BEST IRISH FILM
The Secret of Kells (Winner)
Five Minutes of Heaven
The Yellow Bittern: The Life and Times of Liam Clancy
The Daisy Chain

BEST DIRECTOR
Paolo Sorrentino - Il Divo (Winner)
Laurent Cantet - The Class
Werner Herzog - Encounters at the End of the World
Tomas Alfredson - Let The Right One In

BEST FILM
Let the Right One In (Winner)
Il Divo
In the Loop
The Class

Gomorra sweeps European Film Awards

In a not totally unexpected move, the Italian Mafia drama "Gomorra" has won numerous prizes at the 21st European Film Awards. As this was very much a collaborative piece with intertwining tales, no less than six writers picked up the Best Screenwriter award for it, Maurizio Braucci, Ugo Chiti, Gianni di Gregorio, Matteo Garrone, Massimo Gaudioso and Roberto Savian."Gomorra" also picked up Best Film, Best Director, Best Actor and Best Cinematography.

Other notable wins include "Hunger" (European Discovery) and "La graine et le mulet" (European Film Academy Critics Award). For the full list of winners, visit the European Film Academy.

French director wins "Crossing Europe" award for second time

French director and actress Isild Le Besco has won the European Competition for the second time and receives the CROSSING EUROPE Award European Competition 2008 for her film "Charly. The jury in Linz (Austria) called Le Besco an “original voice in European cinema” and added that “this simple ‘coming-of-age’ story lingered disturbingly in our minds due to its uncompromising style and great acting.”

Greek director Thanos Anastopoulos received a special mention for "Diorthosi/Correction". The Ray Audience Award went to "Ljubav i Drugi Zlocini/Love and Other Crimes" by Stefan Arsenijevic.

Gazette des Scénaristes: new issue

I have been writing here less as I have been writing more elsewhere. I'll be attending Cannes again with two projects in development: "Protag", a dark contemporary thriller for the YouTube generation, and "Tunerz", probably Europe's first movie about the tuning scene. So I'll be posting less as the deadline approaches and the pitches, treatments and cover letters are reworked.

The only news I have now is that the new issue of France's quarterly Gazette des Scénaristes is out. The Gazette is one of the best scriptwriter magazines. This issue looks at the future of scriptwriters (pretty bleak unless some heads are knocked together), has an open letter to "those who develop, finance and show films without scripts" (a blast at the ultra-auteur syndrome that is strangling European cinema) and a very big question: should we write like Americans?

I haven't read that article, but I already know what most people's answers will most likely be in Europe.

The Gazette can be bought by mail at Dixit.

New French writer's site

For many years, Version Finale was the main hub of contact for France's writing community. It recently changed hands and many of the most active members moved to their own temporary board, called My-Scripts.net. As with many temporary things on the web, it might just end up being definitive.

Check the messageboard (le Forum). The members are toying with the idea of giving an award to the weirdest script (in French) at the Cannes festival, the Prix Zarbi.

"Taxi" director to talk at French screenwriter fest

Love 'em or hate 'em, the "Taxi" franchise is one of France's most successful over the past ten years, boasting over 24 million viewers. This year's guest of honour at the 11th International Screen Writer's festival in Bourges, France (27-30 March) is Gérard Krawczyk. His César-nominated short films will be showcased, as well as the features "Je hais les acteurs", "Fanfan la tulipe" and "La vie est à nous". They provide an opportunity to host meetings based on the unusual pairing of auteur and action.

The event also features premieres, round tables and other activities such as a pitching forum and special activities focused on animation. For details, visit Scenario au long court.

"La graine et le mulet" wins best script award at Cesars

Abdellatif Kechiche's script for "La graine et le mulet" picked up the best script award at France's prestigious Cesar ceremony, also picking up awards as Best French Film and Best Director. That's quite a hat trick.

Other notable awards went to "The Lives of Others" as Best Foreign Film, "Persepolis" as Best Adaptation and Marion Cotillard as Best Actress for her monumental role in "La vie en rose".

Check the full list of winners on the Cesar site.

"La vie en rose" and "Le secret" top Cesar nominations

France's upcoming Cesar nominations will see two heavyweights battle it out, as "La vie en rose" and "Le secret" are both nominated for a staggering 11 awards each, going head to head notably in the Best Film and Best Actresses categories.

Nominations for screenplays are:

Best Original Screenplay
Olivier Dahan - La Vie en Rose
Julie Delpy - 2 Days in Paris
Abdellatif Kechiche - The secret of the Grain
Anne le Ny - Ceux qui restent
Laurent Tirard and Grégoire Vigneron - Moliere

Best Adapted Screenplay
Claude Berri - Hunting and Gathering
Christine Carrière - Darling
Ronald Harwood - The Diving Bell and the Butterfly
Claude Miller and Nathalie Carter - Un secret
Marjane Satrapi and Vincent Paronnaud - Persepolis

The awards ceremony will be held on February 22.

French scriptwriters march to support the WGA

Although the legal, artistic and business environments are very different in the US and Europe, most international writers' guilds have given their support to the WGA strike. The French writers' union UGS is going one step further and organising a demo opposite the Tour Eiffel (the Espalanade du Trocadéro) in Paris on Wednesday November 28 at 4pm. They will notably organise a family photo of "creators" that includes writers, actors, producers and directors (looks to me like a pretty good networking opportunity!).

The specifics of the debate between producers and writers in the US are not the same as those in Europe, but one area is very similar: the proportion of revenue generated by online sales. There is already a massive migration towards online viewing. This will only increase over the coming few years. So it is important that the writers of the films and shows be entitled to a fair share of this important new revenue stream.

As a reminder, Screenplay Europe is not promoting any online movie or TV show downloading until this issue is clarified.

Visit the UGS.

French TV writers come together

Anyone near the south of France that is interested in TV series (and the writing thereof!) should check out "Scénaristes en série", an annual get-together that was started by 10 French series writers and is becoming more international. The idea is for writers, producers, actors and distributors to get together in a series of debates and masterclasses. They promise to show the best-in-class series from Spain, the UK, Germany and Canada.

It will be held at the Palais des Congrès in Aix-les-Bains (Rhône-Alpes, if my memory serves me well), October 18-21. Contact: Tel : 01 48 03 18 25 (in France) or visit Scenaristes en Série. There are several regional airports in the area, plus a special TGV train leaving from Paris! How's that for style?

"Le fils de l'épicier" picks up script award at Namur

Eric Guirardo and Florence Vignon picked up the Best Script award at the 22nd Festival of Francophone Cinema in the Belgian town of Namur for "Le fils de l’épicier/The Grocer's Son". When his father becomes ill, a disillusioned young man has to step into his shoes and manage the village shop.

Director Guirardo had planned the film since 2000, and finished the writing with Florence Vignon after he spent time filming travelling tradesmen in France.

Check the film's site in French.

Louis Gardel: a scriptwriter controls nothing

Veteran scriptwriter Louis Gardel ("Indochine" and "Himalaya" as well as massive amounts of stories for French TV) gives a few sobering thoughts when explaining his work methods for the Cineuropa website: "I’ve understood very well that a scriptwriter controls nothing at all and that, for the result to be good, for the film to measure up to what I dreamt, someone “strong” has to do it. I’m very attentive to that".

Gosh man, do you have to say it so loud? Someone might hear you. He does, however, have a point. Scriptwriting is an in-betweeny thing to do, as the ultimate calls are taken by the director (in Europe) and the producer.

Now that I've given you the bad news, check out the whole article for some interesting insights on Cineuropa.