Cannes 2023: what you should know before you go

As I'm writing this, the countdown for Cannes 2023 is on. People are making their plans, hoping to make the connections that will push their project forward. If you are thinking of attending, take a few moments to work out what you want to achieve and how to actually achieve it. 

A few things to remember and a few things to do:

• Remember that the Cannes festival is mostly a trade fair for producers, distributors and financiers. Scriptwriters do attend, but not much is done for them. The exception is the French organisation Maison des Scénaristes (Writers' House) which organises interviews, get-togethers and offers a place to meet. All languages are welcome.
• Set your priorities: do you want to meet producers, find co-producers, meet talent or announce an upcoming movie or career change?
• Are you looking for local contacts or do you want to reach out to other countries? Most European movies are international co-productions. This expands your possibilities.
• Draw up a list of people you want to reach out to. You'll find most of them in the Film Market database and/or Cinando.
• Work that pitch until you can give 3-, 5 and 7 minute versions comfortably. Practice on everyone you know. 
• Start sending those e-mails, and personalise them.
• Check if your country is hosting a pavilion and if you can register there (handy for meetings).
• If you manage to get a meeting, keep it short and punchy - these people are busy and appreciate people that get to the point. 
• Remember that it is extremely unlikely that you will get a firm commitment at Cannes. What you are aiming to achieve is the permission to get back to the producers or directors after Cannes. 
• Fill every free moment by attending interviews, workshops, presentations, etc. It's tempting, but skip actual screenings. They take a lot of time and it's unlikely that you will meet the right people there. Plus, you can catch them at home later anyway.
• Don't give up! If things are going badly, you'll have time to moan later at home. Go check another reception or happy hour on the German pavilion - just don't drink too much.

Further resources: 

• Should I pay to access the Cannes Film Market?
• The Cannes Starter Guide (full e-book)

ScriptEast award to be announced at Cannes

The title of the winning script in the ScriptEast award will be announced Wednesday 19th May at 5 p.m. at a ceremony to take place at Plage des Palmes. Since September 2009, the experienced East European authors have been working on screenplays with the help and advice of Creative Advisors (see below).

For the past week, participants have been meeting producers and distributors, as well as having consultations with Heads of Studies. ScripTeasters have also got opportunities to attend the festivals' screenings, conferences and participate in all the festival events as well as meet with experienced sales agents, producers and members of international film industry to name a few: Simon Perry from Irish Film Board, sales agents: Gabor Greiner from The Match Factory, one of the most famous sales company in Europe, and Chris Nightingale from High Point. They also had an important pitching session with David Matamaros from Zentropa.

The advisers were Marc Caro, director of "Delicatessen", Chris Collins, producer of "My summer of love", Licia Eminenti, scrip expert, working for Media Fund, Eurimage and Arte, Robert Jones, producer of "Unusual Suspects" and "Gosford Park", Joelle Levie, long-term director of Quebec division of Telefilm, Canada, Udayan Prasad, director of "Opa!", "Yellow Handkerchief", Jason Resnick, fomer International Sales Director of Universal Pictures and Focus Film, Antonio Saura, producer of "Fados" and "Salome", Antonin Svoboda, producer of "Darwin's Nightmare" and "The Educators", director and scriptwriter. Visit ScriptEast.

MIPCOM kicks off in Cannes

The MIPCOM TV trade fair has kicked off in Cannes. Early news from the kids section is that short-formats are back in style, with a preference for live action. Established characters are being sought out (which is not such good news for people that want to try and create new ones). As scriptwriters it is important to keep an eye on these things, as I don't see the point in working for 18 months on a dead format.

Check for details on Cannes or Bust.

La Palme dort!

Brilliant headline from France's "Scénaristes" magazine: "La palme dort". Translated, it means "The Palm is sleeping". Sub-headline: "The world's biggest film festival continues to marginalise scriptwriters. How about a change?"

An example? It's probably worth remembering that last year the scriptwriters of France's biggest hit (by far), "Bienvenu chez les Ch'tis/Welcome to the Sticks", were not invited to attend the screening at Cannes. No room on the list, apparently. Cannes is basically a celebration of the cult of the director-as-author, to the point where the actual writers drop off the map. I'm not sure if Scénaristes can change that. But the French writers' union UGS that publish the magazine are very active at Cannes, organising a script market tied with breakfast meetings with producers and directors, as well as a "white night" - definitely worth checking at Cannes. Check here for details. Way to go.

Millenium explodes onto Nordic screens

The first instalment of the best-selling "Millenium" trilogy opened to explosive figures in Sweden and Denmark. Some 350,000 people queued for the 140-minute film of Stieg Larsson's sweeping tale of dark secrets in a darker family, putting it at the top of both box offices over the weekend.

Directed by Niels Arden Oplev and written by Nicolaj Arcel and Rasmus Heisterberg it will soon be released in Norway (March 13), Finland (March 27) and France, where UGC is planning to release it May 13, the opening day of the Cannes Film Festival. Rumours in the press have it that Millenium will open the festival.

Dardennes Brothers pick up Cannes script award

I haven't much to say about the Dardennes Brothers' "Silence of Lorna", as I haven't seen it (I thought "La promesse" was a fascinating glimpse into a bleak lifestyle and noble sentiments).

So apart from congratulating the pair for their screenplay award at Cannes, all I can do is point you in the direction of the interview they gave Cineuropa some time back.

Check it here.

Gazette des Scénaristes: new issue

I have been writing here less as I have been writing more elsewhere. I'll be attending Cannes again with two projects in development: "Protag", a dark contemporary thriller for the YouTube generation, and "Tunerz", probably Europe's first movie about the tuning scene. So I'll be posting less as the deadline approaches and the pitches, treatments and cover letters are reworked.

The only news I have now is that the new issue of France's quarterly Gazette des Scénaristes is out. The Gazette is one of the best scriptwriter magazines. This issue looks at the future of scriptwriters (pretty bleak unless some heads are knocked together), has an open letter to "those who develop, finance and show films without scripts" (a blast at the ultra-auteur syndrome that is strangling European cinema) and a very big question: should we write like Americans?

I haven't read that article, but I already know what most people's answers will most likely be in Europe.

The Gazette can be bought by mail at Dixit.

Iron Maiden singer scripts movie for Cannes

According to a report in the BBC, Bruce Dickinson (singer with the metal band Iron Maiden) will unveil a film at this year's Cannes festival. "Chemical Wedding" will star Simon Callow as Professor Haddo, the reincarnation of British occultist Aleister Crowley, once described as Britain's most evil man. Julian Doyle, who directed the video for the band's 1988 single 'Can I Play with Madness', co-wrote the script with Dickinson and is directing. The reaction from test screenings are that it is very much in the vein of the Hammer Horror films.

Julian Doyle, for those that read the small print on DVDs, has also worked as an editor and/or second unit director on "The Life of Brian", "Brazil" and "The Wind in the Willows". Sounds promising.

Paul Laverty: the "spectacular lie"

Paul Laverty, the long-time writing partner of Ken Loach, has just been interviewed by the Santa Barbara Independent about scriptwriting and their choice of subject matter. The film "The Wind That Shakes the Barley" picked up the Palme d'or in Cannes last year. It takes an uncompromising look at the struggle for independence in Ireland and the subsequent Civil War. Although many people considered it as a metaphor for the Iraq war, Laverty denies this entirely. A far better parallel (which Laverty does not make) could be made with the Palestinian resistance to Israeli occupation, not just in terms of the direct brutality of occupation but also in terms of its effects on the resistors. The core story is, after all, about two brothers that have to face each other.

An interesting quote from the article: "Did you feel drawn to screenwriting because you felt you could reach a wider audience and bring more attention to issues that were important to you? Choosing the subject matter, the characters and premise to a story, and how we attempt to tell it reveals a great deal about the filmmakers. Our choice of material is of course affected by our values, politics, and how we see the world. It strikes me that a great many contemporary films glorify the pursuit of wealth, romanticize violence, and usually set up “Western values” as superior. It’s often simplistic and very crude; black and white. In the end, it makes for a spectacular lie about how Westerners see themselves. They lie to the rest of the world, too. I have zero interest or respect for this type of filmmaking, no matter where it comes from."

For the full article, visit Santa Barbara Independent.

Paul Laverty on Amazon US

Paul Laverty on Amazon UK

Cannes 2007: Script award for Fatih Akin

Already one of the darlings of Germany's new cinema, Fatih Akin has picked up the screenplay award at Cannes for "The Edge of Heaven/Auf der anderen seite/Yasamin kiyisinda" as well as picking up the award from the Ecumenical Jury. Why three titles? Because Fatih Akin is a German of Turkish descent who has taken another look at the lives of people affected by the two countries. His first film, "Head On", was already an uncompromising quest for identity. He followed it with "Crossing the Bridge", a commendable documentary about musicians in Istanbul. He says of the characters in "The Edge of Heaven", that "they reflect a part of me, something that changes every day, because I change my mind every day. And I was inspired by the people I met during my trip to Turkey for 'Crossing the Bridge', people who are trying to change the world with music. Activism and political passion can be very sexy."

For the full interview, see Cineuropa. For the official site of "The Edge of Heaven" (in Turkish).

European movie houses to award European movies at Cannes

I've always thought that the discussions about scriptwriting should be opened more towards other players in the chain. The people that run movie houses, for example, are never included. But at the end of the day, they are the ones that decide to run a movie and eventually decide to pull the plug!

So I was interested to learn that a network of European movie houses has been awarding prizes to European films at Cannes and other festivals for four years already. Once again, it will be awarding its Label prize to the best European film in the Directors’ Fortnight/Quinzaine des Réalisateurs section.

A jury of four Europa Cinemas exhibitors will award the Label at Cannes, with the winning film receiving the invaluable support of extended theatrical exposure and additional promotion from the Europa Cinemas network. Previous winners have included 12 :08 East of Bucharest / A Fost sau n-a fost?, Live and Become / Va, Vis et Deviens and more recently Spain's Camino de los ingleses/Summer Rain at the Berlinale. To find out more, click the logo above

Anton Corbijn film to open Director's Fortnight

Dutch rock photographer Anton Corbijn's "Control" will open the Cannes' Director's Fortnight with a biopic about the Joy Division singer Ian Curtis, who killed himself at the age of 23. The film, written by Matt Greenhalgh and based on the book "Touching From a Distance" by Curtis' wife Deborah, looks at the last years of his life when he was battling with epilepsy and an increasingly confusing private life.

The après-showing party will be attended by Bono as well as members of Depeche Mode and New Order. Will anyone take to the stage? Likely, but who?

Writers create first "Zarbi" award for Cannes

For two years now, a group of writers led by Jacques Gumbau have organised writer events at Cannes. This year, they are in the last stages of organising the first Grand Prix Zarbi du Scénario. The idea is not to celebrate the best writing, but to put the spotlight on more off-beat scripts, "scenarios that stand out through their intention, style or theme - even if they are unfilmable," says Gumbau. Scripts in the running feature murder, sex, parodies and combinations of the above! There are a number of high-profile writing contests in France already. Zarbi aims at being more low-key, and will provide a networking event at Cannes itself.

To submit scripts (in French), sign up on ScenaristesEnHerbe.

UK: Prepare for Cannes 2007

Two heavyweights are coming together to provide a practical seminar for UK filmmakers. Chris Jones, himself a filmmaker and author of the highly recommended "Guerrilla Film Makers Handbook", and Ben Craig, who runs CannesGuide.com and writes the equally-recommended "Virgin's Guide to Cannes" (right), will host an event at the Ealing Studios on March 20. I quote: "Ben’s seminar will offer detailed, practical and pragmatic techniques and tips so that YOU can maximise your impact and minimise your spend. And don’t think that Cannes is just for producers and directors, the savvy actors, writers, editors, DP’s and other crew members are all there too, rubbing shoulders with the power players and making new relationships that can lead to amazing new opportunities."

The entry of £15 includes a copy of the "Virgins Guide". This event is highly recommended. For details, visit Living Spirit.

Cannes 2006 winners (and their writers)

Although many people are saying that overall this was a rather tepid edition, the top winners are quite strong. Giving the best actor and actress awards to collective casts is also an interesting notion. But I'd be interested to find out how many of the jury have actually read the script of "Volver".

The Awards

Palme d´Or
"The Wind That Shakes The Barley" by Ken Loach. Script by Paul Laverty ("Ae Fond Kiss", "Sweet Sixteen", "My Name is Joe").

Grand Prize
"Flanders" by Bruno Dumont on his own script.

Best Actress
The cast of "Volver"

Best Actor
The cast of "Indigènes" (aka "Days of Glory", script by Rachid Bouchareb, Olivier Lorelle)

Best Director
Alejandro Gonzalez Iñarritu - "Babel" (script by Guillermo Arriaga).

Best Screenplay
"Volver" - Pedro Almodóvar

Jury Prize
"Red Road" by Andrea Arnold on her own script.

Caméra d´Or
"12:08 East Bucharest" by Corneliu Porumboiu on his own script. This is Poromboiu's first feature-length movie, initially developed during a Résidence du Festival in 2004 on the back of his award-winning short film "Trip to the City". "12:08" will premiere at the Transylvania International Film Festival (TIFF) in Cluj on June 2.

Palme d´Or for the Best Short Film
"Sniffe" by Bobbie Peers

For the full round up, see Cineuropa.

Scriptwriters make noise at Cannes

Following the lead of 101 Scénaristes last year, Cannes will feature a number of scriptwriting initiatives. The largest will probably be the Journées du Scénario/Writers' Days being run by France's enterprising UGS. They have set up a database of available scripts and will run a Script Market, sailing events and lots of talks and round tables. Unfortunately, the market is only open to produced writers, but will doubtless be an exciting event. Catherine Deneuve has accepted to be the “godmother”, or patron, of the whole thing.

Staying in France, the Adami is running a second Speed Dating session on Monday 22. The idea is simple: put a bunch of writers, actors, producers and musicians in the same space for about an hour and hope that connections are made. Adami is particularly good at finding and supporting young actors.

Writer/director Karan Johar (“Khabhi Khushi Khabhie Gham”) will be talking at the UK Film Centre on Friday May 19, followed by Ken Loach the next day. The London Script Consultancy will hold its second Panasonic International Filmmakers' Pitch. But admissions closed May 15.

Last but not least, Cannes will also see the unveiling of the first issue of “Le Scénario Français” a new quarterly in French (mostly) that features articles and pitches - including contributions from yours truly.

Relevant links:
UGS-Online
Adami
UK Film Centre
Le Scénario Français

If you hear of any other events, please leave a message.

11 European films selected for Cannes line-up

No less than 11 European films are included in the official line-up for the Cannes Festival this year. They include films by Pedro Almodovar (Spain), Nanni Moretti and Paolo Sorrentino (Italy), Ken Loach and Andrea Arnold (UK), Aki Kaurismaki (Finland), Lucas Belvaux (Belgium), Pedro Costa (Portugal) and three films from France (Nicole Garcia, Bruno Dumont and Xavier Giannoli). In addition to this selection, interesting in itself, Tony Gatlif's "Transylvania" will playing out of Competition.

For the full line-up, see Cannes or Bust.

Réservoir Scripts: Last call for Cannes

To break through some of the barriers between writers, producers and directors, a bunch of scriptwriters from six countries have come together to present 100 projects as a magazine called "Réservoir Scripts" at Cannes.

The projects consist of: a short pitch, a synopsis and an extract. All this on two A4 pages (font Courier New 12). There is still some room for anyone that can get us material by the end of this week (March 18).

This a non-commercial venture, in that the writers have nothing to pay. Submissions by invitation only to the e-mail address below. The site is currently in French, but we can guide you through the process of posting and participating.

Reservoir Scripts features writers from France (largely), Belgium, English and French-speaking Canada, the US and Ireland.

Email: writestuff(AT)chello.be French-speakers can request invitations directly from the site.