Thursday, May 12, 2005

TASTE: Developing scripts for European audiences

It is widely recognised that not enough European movies get distributed outside their home country. So a number of bodies have come together to creat TASTE, a programme specifically about developing scripts for European audiences. "TASTE offers a close look at the development process of European films that have been successful in recent years. Screenwriters and producers of films such as "Good Bye Lenin!", "Italian for beginners", "Le goût des autres" and "My Life Without Me" will be present to explain the first development stages of their films."

The TASTE seminar takes place from the 15 to 17th of July 2005 in Valencia. Registration deadline is 30th of May. Before you ask, the programme costs €500 and Valencia can be reached by low-cost airlines. For more information and applications, visit Taste.

"Goodbye Lenin" on Amazon UK

"Italian for Beginners" (REGION 1) (NTSC)

"Le goût des autres/The Taste of Others" on Amazon FR

Tuesday, May 10, 2005

Rewind: DVD release for "Totos le héros"

Rightly hailed as a landmark movie, Jaco Van Dormael's 1991 "Toto le héros" set the tone for a series of films in Europe with its quirky, colourful and retro style, the most noted perhaps being Jeunet's "Amélie Poulain" (although viewers of "Dannie Darko" would recognise more than a passing resemblance). Wacky and charming but with a slightly tragic tone, it has been described as "a kids film directed by Lars Von Trier".

After subsequently making the highly-rated "Huitième jour/Eighth Day" in 1996, Van Dormael dropped off the radar. But according to this report in La Libre Belgique (in French), he is working on a 3-hour project called "Mr. Nobody" about "the multitude of lives we could have. Apparently, they would be different. But deep down, they would be the same... Parts will take place on Mars, others in pre-history.... There will be one main character, but lots of decors, scenes and genres". Gulp! Shooting will start in the autumn. The DVD of "Toto le héros" is now available from Amazon France.


Jaco Van Dormael on Amazon FR

Sunday, May 08, 2005

Cannes 2005: Speed-dating for writers, actors,composers and directors

France's Adami are holding a fun event at Cannes: the second "Speed Dating" for writers, directors, actors and composers. Adami showcase young talent every year, with Audrey Tautou and Sami Naceri amongst the actors they championed (in '98 and '94 respectively). The Speed Dating is simply a way of getting actors, writers, directors and composers to meet up and perhaps swap cards on Monday May 16 from 2.30pm at the Adami pavilion. We'll be there! For details, check the Adami's Speed dating page.

Thursday, May 05, 2005

CANNES 2005: YOUR CHANCE TO PITCH TO THE WORLD'S TOP PRODUCERS!

With the presence of "101 Scénaristes/101 Scriptwriters", Equinoxe and le Club des producteurs, Cannes 2005 was already promising to throw a major spotlight on scriptwriters. Now the London Script Consultancy and Panasonic are coming together to provide another major event: The Big Pitch. "In a once in a lifetime opportunity, filmmakers from across the world are invited to pitch their film ideas to a panel of international industry experts, including Peter Albaek Jensen, producer of "Dancer In The Dark" and "Dogville", Paul Webster, executive producer of "The Motorcycle Diaries", Steve Arnold, the producer of "Brassed Off" and Barnaby Thompson, producer of "Fred and Perry Go Large".

First prize is the Ultimate Filmmaker's Package: the award winning Panasonic NV-GS400 digital video camera, winner of the European Camcorder of the Year Award 2004/2005. They will also receive £3000 of professional script development, Final Draft software, a Focal Press screenwriter's book package, a one year cinema pass to UGC Cinemas, and one year's free subscription to LoveFilm DVDs, Sight & Sound and Hotdog Magazines.

The Panasonic International Filmmaker's Award will be held on Sunday 15th May from 2:00pm to 3:30pm at the UK Film Centre in the International Village, Cannes Film Festival 2005. For further information and entry details, go to www.londonscriptconsultancy.com. Submissions are liimted to 3 pitches per person, and writers should be able to do their 2-3 minute pitch at Cannes in English.

What, you're still hanging around here?

Wednesday, May 04, 2005

Top 20 European films released in Europe 2004

Prior to Cannes, the OBS releases its "Focus" on the state of the movie world globally. It always makes good reading. Here is an item I found interesting:

Admissions to European films released in Europe 2004
Classement provisoire sur la base de données provenant de 24 pays européens y compris la Turquie (environ 87 %des entrées dans l'Union européenne analysées)
Provisory ranking on the basis of data from 24 European countries
including Turkey (around 87% of admissions in the European Union analysed).

Titre original Pays d'origine Année Réalisateur Entrées
Original title Country of origin Year Director Admissions

1 Bridget Jones: The Edge of Reason GB/US/FR/DE/IE 2004 Beeban Kidron 17 421 322
2 Les choristes FR / CH / DE 2004 Christophe Barratier 11 399 905
3 (T)Raumschiff Surprise - Periode 1 DE 2004 Michael Herbig 10 731 881
4 Sieben Zwerge - Männer allein im Wald DE 2004 Sven Unterwaldt Jr. 7 323 345
5 Cold Mountain (1) GB / US / RO / IT 2003 Anthony Minghella 6 238 073
6 Two Brothers FR / GB 2004 Jean-Jacques Annaud 5 248 868
7 Un long dimanche de fiançailles FR 2004 Jean-Pierre Jeunet 4 708 990
8 Der Untergang DE / IT 2004 Oliver Hirschbiegel 4 684 536
9 Podium FR / BE 2004 Yann Moix 4 310 997
10 Mar adentro ES / FR / IT 2004 Alejandro Amenábar 4 125 821
11 G.O.R.A. TR 2004 Ömer Faruk Sorak 3 980 947
12 Les rivières pourpres II - Les anges… FR / IT / GB 2004 Olivier Dahan 3 960 958
13 Alexander GB / FR / NL 2004 Oliver Stone 3 857 447
14 La mala educación ES 2004 Pedro Almodóvar 3 728 484
15 Love Actually (2) GB / US 2003 Richard Curtis 3 408 523
16 Girl with a Pearl Earring GB / LU 2003 Peter Webber 3 221 485
17 Les 11 commandements FR 2004 F. Desagnat & T. Sorriaux 3 067 458
18 Vizontele Tuuba TR 2004 Yilmaz Erdogan 2 934 504
19 L' enquête corse FR 2004 Alain Berberian 2 651 406
20 Around the World in 80 Days GB / US / DE / IE 2004 Frank Coraci 2 692 694

(1) 80 102 entrées en Europe en 2003. | 80 102 admissions in Europe in 2003.
(2) 12 878 034 entrées en Europe en 2003. | 12 878 034 admissions in Europe in 2003.
Source: OBS/LUMIERE

Interesting to see beyond the hype which films draw audiences, notably the n° 3 and 4 - totally unknown outside their native Germany. Special mention also goes to "G.O.R.A." at n° 11. For the record, I recommend Yann Moix' "Podium"

Monday, May 02, 2005

Crossing Europe Award goes to first-time director/writer

The second edition of Austria's CROSSING EUROPE Filmfestival Linz presented 150 films from 30 countries as well as 20 further events. This year's award went to the 22-year-old French actress and first-time director Isild Le Besco (France - left on photo), who impressed the competition jury (Cis Bierinckx/Belgium, Nadejda Koseva/Bulgaria, Jan Krüger/Germany, Micha Shagrir/Israel and Elma Tataragic/Bosnia) with her debut film “Demi-Tarif/Half Price”. The CROSSING EUROPE Award 2005 Local Artist, went to Siegfried A. Fruhauf for his most recent work. A special mention went to Barbara Musil and Karo Szmit for their short film "SW-NÖ 04". The EastWest Filmdistribution nominated the documentary “Totally Personal” by Bosnian director Nedzad Begovic for a special presentation at CROSSING EUROPE 2006.

Link: Crossing Europe.

Friday, April 29, 2005

Celtx writing software: new beta update

There are alternatives to the ubiquitous Final Draft. In Canada, Greyfirst has been developing a clean, new tool called Celtx. As well as doing all the usual things a scriptwriting tool should do, Celtx is very focussed on the collaborative side. It enables writers to post scripts to a server for downloading, sharing and re-writing by their partners. It is available in a number of languages (the latest being Finnish, with German in the works). The new update is beta version 0.8.8 - "so we're getting closer to a 1.0 release," says Stephen Pick. For the many writers that are struggling with formatting MS Word and are hesitating before paying for professional scriptwriting software, it's worth noting that Celtx is free and comes in PC and Mac versions. Click the logo or click on Celtx.

Tuesday, April 26, 2005

Screenwriter Masterclass in Soho, Sat. 7 MAY

AN ILLUSTRATED TALK BY KEVIN CONROY SCOTT
With a special guest screenwriter

Kevin Conroy Scott is the author of the recently published "Screenwriters Masterclass: Screenwriters Discuss Their Greatest Films" featuring interviews with celebrated screenwriters such as Alexander Payne & Jim Taylor, Wes Anderson, Guillermo Arriaga, François Ozon and Michael Haneke.

Scott has arranged a tour of his book, putting across his view that writing comes from the inside, thus making his opinions the antithesis of screenwriting guru Robert McKee while expounding on a list of Screenwriting Do's and Dont's and humorously covering topics such as "Self-doubt and the Screenwriter" before analysing scenes from a film that the special guest wrote. The talk will end with an audience Q&A and includes illustrational clips. A must for the aspiring screenwriter. Curzon Soho, Sat. 7 MAY 12 noon. Tickets £6

Supported by The Script Factory. For an update on the special guest screenwriter visit Curzon Cinemas or call the box office on 020 7734 2255.

Screenwriters Masterclass on Amazon UK

Monday, April 25, 2005

Danny Boyle and John Crowley offer writers chance to write new feature films

This is something that is close to the heart of Screenplay Europe. Directors Danny "Trainspotting" Boyle and John "Intermission" Crowley (one of our favourites) are looking to find scripts from writers with agent representation or who are members of the Writers Guild of Great Britain. The UK Film Council’s Development Fund is behind the idea, which aims to "bring together teams with a unified creative and market vision from the outset, so that the resulting projects stand in particularly strong position further down the line – and with a good chance of actually getting made". I-ree!

Rather us than detailing the whys, hows and wherefores, visit the UK Film Council's site.

John Crowley on Amazon UK
Danny Boyle on Amazon UK
Danny Boyle on Amazon US

Pitch Idol in Northern Ireland

Pitching is always - and rightly - considered as a tricky operation. The ability to sell an idea as complex as a film narrative in two minutes is a handy one - although having the opportunity to pitch to the right person is equally as important. Amongst the upcoming writer events, Screenplay Europe noted that Northern Ireland's Screenwriters Ink is hosting Pitch Idol in Belfast on May 3. The title might be silly, but it's never a bad idea to confront your ideas with some seasoned but hopefully supportive professionals. And we also believe in writers getting out of the house a bit more often! And as they say on the site of the Northern Ireland Film and TV Commission, "this could be the start of a beautiful friendship!"

Thursday, April 21, 2005

Screenplay Market at Cannes 2005

Second European Screenplay Market
In Cannes, Saturday, May 14, 2005


After the first successful Screenplay Market in Strasbourg during the RISE (Rencontres Internationales des Scénaristes Européens), where screenwriters such as Laëtitia Masson, Katharina Held and production houses such as Pandora Films, Arcappix, Senator were present, The European Producers Club in partnership with The European Screenwriters’ Federation will be hosting the second EUROPEAN SCREENPLAY MARKET taking place on the 14th of May 2005, 12:30am-6pm during the Cannes Film Festival.

15 qualifying screenwriters will have the unprecedented opportunity to present their script during INDIVIDUAL MEETINGS with TOP PRODUCERS from all over Europe.

HOW TO PARTICIPATE ?
Qualifications :

You are the scriptwriter of at least one film project that has been produced and distributed. You have a screenplay project on hold that has a strong appeal and is suitable for a European co-production.

SEND US YOUR PROJECT !
To apply for participation we need in English obligatory and mother language if wished :

Fill out the application form + Your photo as a JPeg
A treatment (max: 10 pages)
A note of intention (one page)
Your CV (one page)

Deadline for entries : 25 April 2005
Send via e-mail only : leclub@wanadoo.fr

The only thing more important in this business than money is great material. This could be the opportunity of a lifetime to present your work to the people with power to produce. Events such as this have launched the successful carreers of writers outside of Europe. The European Producers Club along with the Screenwriter’s Federation have the expertise to make it happen here. Don’t miss this chance.
For more information : Eglantine Pottiez de Césari
screenplay.leclub@wanadoo.fr

Monday, April 18, 2005

"Femme de Gilles" awarded at Istanbul International Film Festival

Belgium's slow-burning love triangle "La femme de Gilles/Gilles' Wife" picked up a very appropriate prize at the Istanbul International Film Festival recently. It had to share the top Golden Tulip award with Taiwan's "Cafe Lumière". As it's the story of a woman that has to share her husband with her sister, there must be some sort of poetic justice in that!

"La femme de Gilles" is directed by Frederic Fonteyne, with a script by Philippe Blasband on a story by Madeleine Bourdhouxe. Blasband has previously written "Thomas est amoureux" and "Le tango des Rashevski".

La femme de Gilles/Gilles' Wife - the official site

La femme de Gilles on Amazon FR
Fréderic Fonteyne on Amazon FR
La femme de Gilles on Amazon UK

Saturday, April 16, 2005

Cinelink shortlists East European writers

The Sarajevo festival will again provide the platform for the third Cinelink, a programme that hooks interesting scripts up with the industry. Ten projects from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Macedonia, Romania, Slovenia and Serbia and Montenegro have been chosen. The writers will undergo a series of wrokshops to get the scripts in shape for presenting them to the industry at the Sarajevo Film Festival in August.

Of the ten projects, two will ultimately be awarded a prize of €25,000. See here for details of Cinelink.

Wednesday, April 13, 2005

Does European cinema have an identity?

It's an old subject and one that is guaranteed to lead to heated debate. Is there something specifically "European" about films that are made in Europe? There are many schools of thought on this one, that some Europeans use as a comfort zone. The comforting thought being, "we are different, and somehow more interesting". Others point out that European cinema is a geographic denomination, not a label of quality.

All these opinions were expressed at the recent European Film Festival in Lecce (Italy). According to a report on Cineuropa, journalist Oscar Iarussi claimed, "If American cinema is defined by action, the specificity of European cinema could be contemplation." Personally, I would underline the "if" and "could". A little more action would not go amiss in European cinema.

Amongst the prizes awarded to films, the best Golden Olive Award went to Valereij Todorovskij's "My Stepbrother Frankenstein". Its seasoned scriptwriter Leonid Yarmolnik was awarded for his "quality of writing that can synthesise collective and individual problems in a notably distinctive language".

See the full article on Cineuropa. Check the European Film festival for details, and the full final press release in Italian.

Saturday, April 09, 2005

Cinecittà News Bites: Reports from Italy

The legendary Cinecittà studios outside Rome have become a spokesman for Italian cinema over the years. In addition to running a good bilingual news service from their site, they also now produce filmed news reports in English called Cinecittà New Bites. Issue n° 5 covers the impact of the Pope's death on cinema attendance (bad), Italy's presence at the recent Monte Carlo festival and Italians films in the UK (both good). To check it out, visit Cinecittà News Bites.

Friday, April 08, 2005

Why are Danish films so good?

It might be a bit over-the-top as a title, but the discussion itself should be interesting. The Script Factory, NFTS and Curzon Cinemas are bringing a Dogme round table (billed as a masterclass) to London on April 20. "Writer/Directors Susanne Bier (Open Hearts, Brothers) and Anders Thomas Jensen (whose writing credits include The King Is Alive, Mifune, Open Hearts, Brothers, and who also directs), will be joined on stage by Kristian Levring (who co-wrote and directed The King Is Alive and is one of the four Dogme Brethren), to take a closer look at the Dogme screenplay. Considering the process of story development, the art of screenplay collaboration, and the constraints or liberations of writing material which is destined to be produced in such a particular style, this lively session with three of the Dogme greats will also look to the future and consider the influence of Dogme screenwriting methods on these filmmakers’ post-Dogme work."

Wednesday 20 April at 6pm
Curzon Soho, Shaftsbury Avenue, London W1 or check the details here.

"The King is Alive" on Amazon UK

Monday, April 04, 2005

"Downfall" and "Heimat 3" spearhead 4th German festival in Australia

Now in its fourth year, the Festival of German Films will run from April 14-24, in Sydney, Melbourne and Brisbane, and will also be presenting a smaller selection in Canberra from April 28 - May 1.

The Festival opens with Dani Levy's comedy GO FOR ZUCKER! - AN UNORTHODOX COMEDY (ALLES AUF ZUCKER!) with the director in attendance. The other films are: AGNES AND HIS BROTHERS (AGNES UND SEINE BRUEDER) by Oskar Roehler, THE OTHER WOMAN (DIE ANDERE FRAU) by Margarethe von Trotta, the documentary I LOVE YOU ALL (AUS LIEBE ZUM VOLK) by Eyal Sivan/Audrey Maurion, AM I SEXY? (BIN ICH SEXY?) by Kathinka Feistl, THE BLIND FLYERS (BLINDGAENGER) by Bernd Sahling, (C)R00K by Pepe Danquart, NAPOLA by Dennis Gansel, SOUNDLESS (LAUTLOS) by Mennan Yapo, SNOWLAND (SCHNEELAND) by H.W. Geissendoerfer as well as WILLENBROCK by Andreas Dresen. Lead actor Henry Arnold will introduce HEIMAT 3 by Edgar Reitz in person. The music documentary MUSICA CUBANA by German Král will screen as a Special in two clubs. The Festival will stage a Special Screening of "Wings of Desire" by Wim Wenders, which was last shown in Australia ten years ago.

The Oscar-nominated film DOWNFALL (DER UNTERGANG) by Oliver Hirschbiegel will be shown as an "avant-premiere" to tie-in with the theatrical opening in Australia on April 1. Leading Australian critics and film historians will discuss developments in German film history in a panel discussion. For details, visit the website.

"Wings of Desire" on Amazon FR
"Wings of Desire" on Amazon US
"Heimat" on Amazon UK

Wednesday, March 30, 2005

First Brit CGI animation feature scores well

"Valiant", Britains's first homebrew CGI feature, opened over the Easter weekend in the UK. Ranked fifth overall, the film took £1.1 million at the box office. Based on a story by George Webster, "Valiant" was written by George Melrod and Jordan Katz and directed by Gary Chapman.

Valiant tells the story of a homing pigeon during World War II. Visit the Valiant site for the trailer and info. Read Shadows on the Wall for a review.

Friday, March 25, 2005

The Perfect Pitch: this Monday in Soho (London)

In the run-up to Cannes, this event should be of interest to UK writers:

"SOHO SCREENWRITERS - Mon 28 March 2005 - The Perfect Pitch. Seminar and workshop with Jak Genie from the London Script Consultancy.

This week we will focus on pitching. It is crucial to be able to tell your story in a lively and dramatic way. This will not only help you to sell your script but enable you to practise and improve your idea quickly and effectively. Great preparation for Cannes!

The seminar will be followed by a workshop of writers' projects. Please bring your pitches, synopsis or treatments (up to 3 standard format pages) and short scripts (up to 10 standard format pages) for discussion and feedback at the group.

7.15pm - 9.30pm Monday 28 March, The Bath House, Dean St, Soho, London, W1. Nearest tube Tottenham Court Road. Entry £3."

Tell them Screenplay Europe sent you.

Monday, March 21, 2005

Cineuropa back in action: 2 European features

We wrote months ago that the Cineuropa news site is useful - but is never updated. Well, the good news is that the site is very much back in action with reports from across Europe, as well as a fairly complete industry database and links to a variety of sites and institutions.

Today's homepage features two items of particular interest: interviews with "Hotel Rwanda" director Terry George (who was also the scriptwriter for "In the Name of the Father") and writer/director Harry Cleven, currently making waves in Belgium with the sinister tale of rival twins "Trouble".

Visit CinEuropa.

Thursday, March 17, 2005

Réservoir Scripts: Last call for Cannes

To break through some of the barriers between writers, producers and directors, a bunch of scriptwriters from six countries have come together to present 100 projects as a magazine called "Réservoir Scripts" at Cannes.

The projects consist of: a short pitch, a synopsis and an extract. All this on two A4 pages (font Courier New 12). There is still some room for anyone that can get us material by the end of this week (March 18).

This a non-commercial venture, in that the writers have nothing to pay. Submissions by invitation only to the e-mail address below. The site is currently in French, but we can guide you through the process of posting and participating.

Reservoir Scripts features writers from France (largely), Belgium, English and French-speaking Canada, the US and Ireland.

Email: writestuff(AT)chello.be French-speakers can request invitations directly from the site.

Wednesday, March 09, 2005

"Up and Down" wins Czech movie award

Czech Republic's foreign-language nominee "Horem Padem/Up and Down" won three awards at the Czech annual Lions awards on March 5, nothing less than the best film, best director and best screenplay. The film follows the paths of two men, a football hooligan and a professor, as they try to come to terms with massive changes in their lives. All this against the background of the upheavals in Czech society. The director, Jan Hrebejk, co-wrote the film with Petr Jarchovsky. The pair worked together already on 2003's "Pupendo".

"Up and Down" was released in the US on February 27 and has been a regular at festivals. Vist the official site here. For the US trailer, visit Movie List.

UPDATE: "Up and Down" producers Total HelpArt inform us that the film actually picked four awards at the ceremony. Emilia Vásáryová was also recognised for her leading role. "Up and Down" is currently showing in the US. It will also doubtless be one of the hot tickets this year's Cannes Festival.

Monday, March 07, 2005

Eurimages greenlights 10 co-productions

The Council of Europe's Eurimages has announced that a total of 10 projects will receive part of the €3.4 million co-production fund. They include "The Golden Door" from Emanuele Crialese (Italy), "Madonen" from Maria Speth (Germany) and "Opowiesci Galicyjskie" from Dariusz Jablonski (Poland). Eurimages is also supporting the distribution of "Der Untergang/Downfall" and "Gegen die Wand" (Germany), "Kontroll" (Hungary) and "Cowboys & Angels" (Ireland) in different European territories.

See the full story on Eurimages.

Friday, March 04, 2005

Monaco to host Forum of Cinema & Literature

For the 4th time, Monaco will host the International Forum of Cinema & Literature between April 1-4. The event acts as an interface between the worlds of cinema and literature, with a literary rights market and screenings of book adaptations. Guests in previous years have included Jean-Jacques Beineix, Sidney Pollack, Mary Higgins Clark, Paulo Coelho, Philippe Geluck and Jim Sheridan.

Films being shown include the special premiere of L'Empire des Loups by Chris Nahon (from the book by Jean Christophe Grangè), starring Jean Reno and Laura Morante, in the presence of the cast and crew. Then there's A Good Woman by Mike Barker, starring Helene Hunt and Scarlett Johansson (based on Oscar Wilde's original work) and The Last Sign by Douglas Law, with Andie MacDowell, Tim Roth and Samuel Le Bihan (from "Un Soleil Trop Tard" by Anne Ray-Wendling).

For more details, check the Forum's website.

Monday, February 28, 2005

Oscars: The writing angle

It is a bit of a shame that the press is so eager to scream that Clint Eastwood "beat" Martin Scorsese at the Oscars. It hardly reflects the intentions of the respective directors, both of whom had good reasons to win. A lot of good movie-makers have good reasons to be a little disappointed this morning. It was, after all, a pretty good year. Unlike the French César awards on Saturday night, there were no major surprises.

Staying on a strictly writing level, here are the bits Screenplay Europe singled out:

Best Original Screenplay Charlie Kaufman (screenplay), Charlie Kaufman, Michel Gondry & Pierre Bismuth (story) "Eternal Sunshine Of The Spotless Mind"

Best Adapted Screenplay Alexander Payne & Jim Taylor "Sideways"


It is often said that the screenplay award has nothing to do with the writing, as it usually serves as a consolation prize for the second-favourite movie. This was not the case this year, which is encouraging.

Sunday, February 27, 2005

Outsiders win French César awards

"L'esquive", the second film from director/actor Abdellatif Kechiche was the surprise winner of four awards at the 30th César film awards in Paris on Saturday night. In addition to being awarded best Screenplay, it also picked up awards for Best Director, Best Film and Best Female Newcomer (Sara Forestier). "L'esquive" was up against heavyweights such as "A Very Long Engagement", thriller "36, Quai des Orfèvres" and "Les Choristes".

The script for "L'esquive" had been shopped for a total of 13 years, and was finally produced on a comparatively small budget by Lola Films and Noé Productions. It tells the story of a group of immigrant youths from the suburbs that are studying the classical author Marivaux. Kechiche's previous film was the 2000 "La faute à Voltaire".

In another surprise win, Belgian actress Yolande Moreau picked up the Best Actress Award and her almost no-budget movie "Quand la mer monte" Best First Film.

Best foreign film at the Césars went to "Lost in Translation", while Ken Loach's "Just a Kiss" and Emir Kusturica's "Life is a Miracle" tied as the best film from the European Union.

L'Esquive (4 Césars 2005) on Amazon Fr

Thursday, February 24, 2005

Our news on your site

If you have a movie-related website, why not run our headlines in a sidebar? Screenplay Europe posts news every 2 days or so, with items from France, the UK, Germany and elsewhere. The news headlines are available as an Atom/XML feed or as an RSS feedburn.

If you use RSS, you can even get the headlines sent straight to your computer.

Wednesday, February 23, 2005

Italian horror maestro spills the beans!

Sorry about the short notice, but I just heard that Italian screenwriter Domenico Starnone will be giving a series of talks at the Auditorium Parco della Musica in Rome on the subject of horror. The first talk is today (Feb 23), followed by others on March 3 & 21 and April 5 & 11. Bookings are essential on 06/80241572 or check the Auditorium website.

Starnone has been writing since the seventies. Check his IMDB page.

Tuesday, February 22, 2005

François Ozon to present "5x2" in London

London's Curzon Cinemas is welcoming acclaimed director François Ozon ("Water Drops on Burning Rocks", "8 Women", "Swimming Pool") for a Q&A session with the audience after a special preview of "Five Times Two". The film, pitched as "how to live with someone else: five moments in the life of a modern couple..." has an ambitious narrative. "5x2 shows five scenes from a modern marriage in reverse order, like Pinter's Betrayal. We see its disintegration from the final calamity to its genesis, and gain a stunning insight into an ordinary middle-class relationship: that of Marion (Valeria Bruni-Tedeschi) and Gilles (Stéphane Freiss). First, the divorce proceedings, then an unhappy dinner party, the birth of the couple's only son, the wedding and finally the first meeting. The result is a shrewd, compassionate and often quite brilliant essay in the secret theatre of relationships." Peter Bradshaw, The Guardian

FIVE TIMES TWO (15)
Dir: François Ozon.
Starring: Géraldine Pailhas. Françoise Fabian, Michael Lonsdale, Antoine Chappey. France 2004. 90mins. Tusday 1 MAR 7.10PM Curzon Soho Tickets £8.50/£5.50 concession

François Ozon on Amazon UK

Friday, February 18, 2005

Family thriller wins Oscar Moore script award

This year’s Annual Oscar Moore Screenwriting Prize of £10,000 (roughly €14,500) has been won by Marcus Shepherd for his thriller "A Killing In The Woods". While on holidays, a 10 year-old witnesses his uncle killing his aunt in the woods - but has to keep quiet to protect his cousin.

In addition to the £10,000 development award (co-funded by The UK Film Council), the winner also receives a place on a residential writers workshop run by Arista and a professional reading of their script by The Script Factory.

The Oscar Moore Foundation is supported by the British film industry and administered by film trade magazine Screen International. Set up in memory of Screen’s late editor-in-chief and Guardian columnist who died of an AIDS-related illness in 1996, its aim is to recognise and reward new and exciting European screenwriting talent. Visit the site here.

Thursday, February 17, 2005

Download an extract of "Le promeneur..."

While "Downfall/Der Untergang" continues to impress audiences across Europe and (as of February 18) the US, France has just released another film recounting the end of a different reign. In "Le promeneur du Champ de Mars/The Walker in the Champ de Mars" director Robert Guédiguian looks at the last months of President Mitterand, suffering from cancer, played with brio by Michel Bouquet. Writer Georges-Marc Benamou and scriptwriter Gilles Taurand dissect the crusty statesman's treatment of his entourage. France's Scenario-mag is offering a unique 7-page download of the script in French. an interview of Taurand is also available.

Other extracts available include "Les Choristes (Amazon)" and "Un long dimanche de finaçailles/A Very Long Engagement".

Sunday, February 13, 2005

Shepperton Babylon: New book revisits British cinema

Whatever happened to Shepperton? For decades after the First World War, British cinema was churning out dramas, cheap comedies and literary adaptations. As Matthew Sweet points out in "Shepperton Babylon", many of the films might have been cheap and nasty, but without them there would be no "Great Expectations", David Lean or Alec Guinness. His book is an attempt to put a spotlight back on these forgotten years.

Yet for all intents and purposes, the films have vanished from the public eye. As Christopher Fowler writes in The Independent on Sunday, "how can we hope to know what went on behind the scenes when we can't see the scenes themselves"? Or more painfully, "the story of British cinema is one of shameful neglect". So what happened to Shepperton? Where is its legacy? Certainly not in the recent Bafta awards, where British films were conspicuous by their absence. Is the British movie tradition already lost? What can we hope for the future? Your thoughts are welcome.

Shepperton Babylon: The Lost Worlds of...

Monday, February 07, 2005

"Don't Move/Non ti muovere" wins Italy's script prize

In the continuing pre-Oscar fever, director Gianni Amelio won Italy's Nastro d'Azzuro (blue band) award for his moving drama "The House Keys". Best screenplay award went to Sergio Castellito and Margaret Mazzantini for "Don't Move/Non ti muovere", a Cannes 2004 favourite. The ceremony, according to Cinecittà News, was a poorly organised event after the presenter lost her script and subsequently changed the order of awards.

Best director: Gianni Amelio (The House Keys)
Best emerging director: Saverio Costanzo (Private)
Best producer: Aurelio De Laurentiis (Che Ne Sara Di Noi, Tutto in Una Notte)
Best story: Paolo Sorrentino (The Consequences of Love)
Best screenplay: Sergio Castellitto, Margaret Mazzantini (Don't Move)
Best actress: Laura Morante (Love Is Eternal As Long As It Lasts)
Best actor : Toni Servillo (The Consequences Of Love)
Best supporting actress: Monica Bellucci (Remember Me)
Best supporting actor: Giovanna Mezzogiorno (L'Amore Ritorna)
Best cinematographer: Luca Bigazzi (The House Keys, The Consequences of Love, Wherever You Are)
Best sound: Alessandro Zanon (The Consequences of Love, La Vita che Vorrei)
Best set design: Francesco Frigeri (The Passion Of The Christ, Don't Move)
Best costumes: Maurizio Millenotti (The Passion Of The Christ)
Best editor: Patrizio Marone (Don't Move)
Best music: Banda Osiris (First Love)
Best song: Vasco Rossi and Saverio Grandi (Un Senso, Don't Move)
Best foreign director: Pedro Almodovar (Bad Education)
European Nastro: Malcolm McDowell
Career Nastri: Mario Monicelli and Suso Cecchi D'Amico

Saturday, February 05, 2005

People make the web what it is

It looks like I might be repeating this a few time more: people are what make the web what it is. And in the search for "cool" sites, you often find yourself dealing with "cool" people. In my experience, the scriptwriting community is quite small, but highly cooperative. Writers seem to still have the ability to share tips, hints and links, etc. Amongst the sites we have been visiting recently following links and tips are:

Complications Ensue (as a title, it is itself a pretty good summary of what scriptwriting is about) from American writer Alex Epstein. This is a blog, and for the moment Alex is dissecting shows he sees in the US. Follow the link to other posts on other issues.

EuropeanFilms.net is pretty self-explanatory. It's a newish site that reviews recent European movies. As the scene is pretty busy right now, you're bound to find something to agree or disagree with! Inevitably, as not all films are released across all Europe at the same time (or sometimes even at all), there are lots of films we haven't seen either! That's the way the cookie crumbles.

NordicScript.net (sent to us by EuropeanFilms.net) gets a special thumbs-up, as like Screenplay Europe, it is very focussed on one subject: Nordic screenplays. You can download copies in various languages. We have been reading the English translation of the highly-rated "I am Dina" by Jonas Cornell and Ole Bornedal.

Tuesday, February 01, 2005

"Sea Inside" sweeps 14 out of 15 Spanish film awards

Oscar-nominated "The Sea Inside/Mar Adentro" completely swept aside any competition at Spain’s 19th annual Goya Awards ceremony on Sunday night, winning no less than 14 awards in the 15 categories in which it was nominated. Director Alejandro Amenabar’s moving tale picked up awards as Best Original Screenplay, Music and Make-Up as well as awards for each of the principal cast. This record-breaking run meant that Pedro Almodovar's "Bad Education/La Mala Educacion" and others were left in their seats.

In other sections, "Motorcycle Diairies" won as best adapted script, best foreign Spanish-language film winners were Uruguay's Pablo Stoll and Juan Pablo Rebella for "Whisky". Fatih Akin’s "Head-On" won best European film. Veteran actor Jose Luis Lopez Vazquez was this year’s Goya of Honour recipient.

Alejandro Amenabar on Amazon FR
Alejandro Amenabar on Amazon UK
"The Sea Inside" on Amazon US

Friday, January 28, 2005

UK's South West Screen's Script Development Fund deadline

The UK's South West Screen's Script Development Fund offers an opportunity to get the help you need to develop scripts for feature length cinematic and longer length TV drama.

It is open to writers living and working in the South West region and 3 awards of up to £2000 each will be made under the scheme. Each recipient will also benefit from one-to-one script development tailored to their individual needs.

The deadline for applications is 12 noon on 22 February. The application pack and guidelines can be found on South West Screen's website.

Thursday, January 27, 2005

France's Césars awards nominate "A Very Long Engagement"

France's annual movie awards, the Césars, should be good to Jeunet's "Un long dimanche de fiançailles/A Very Long Engagement". The film is nominated for 12 awards, including Best Film and Best Screenplay. "Engagement" was stripped of its French nationality by a French court last year, but the César organisers had changed the regulations enabling French-speaking fims to be eligible months before.

Best Screenplay
Arnaud Desplechin, Roger Bohbot - "Kings And Queen"
Agnes Jaoui, Jean-Pierre Bacri - "Comme une image/Look At Me"
Jean-Pierre Jeunet, Guillaume Laurant - "A Very Long Engagement"
Abdellatif Kechiche, Ghalya Lacroix - "L'Esquive"
Olivier Marchal, Franck Mancuso, Julien Rappenneau - "36, Quai Des Orfevres"

Jean-Pierre Jeunet on Amazon UK
Jean-Pierre Jeunet in Amazon US
Jean-Pierre Jeunet on Amazon France

Friday, January 21, 2005

Gegen die Wand/Head On: London screening and DVD release

The multi-award-winning "Gegen die Wand/Head On", by Fatih Akim, is to receive a special screening at London's Curzon Cinema on January 27 followed by a Q&A session with the director and editor Andrew Bird. "Head On" is a hard-hitting look at two second generation Turkish misfits tearing each other apart in an attempt to get their lives together. It features remarkable performances from the main leads Birol Ünel and particularly Sibel Kekilli (photo).

Gegen die Wand's full awards include:
Best European Film, European Film Awards 2004
Golden Bear, Berlin 2004
FIPRESCI Award, Berlin 2004
Best Actor & Best Actress, Nuremberg 2004
Best Picture, Best Direction, Best Leading Actress, Best Leading Actor, Best Cinematography, German Film Awards 2004

The film, still playing in several countries across Europe, is also being released on DVD in France on January 26. See also Curzon Cinemas.

Monday, January 17, 2005

"Edukators" and "Marseille" please the critics

"The Edukators" (Die Fetten Jahre Sind Vorbei) is the big winner at this year's German Film Critics Awards, winning in the categories of Best Feature Film and Best Actress. The film (photo) was a strongly-tipped competition entry for director Hans Weingartner at Cannes 2003 (with a script co-written with Katharina Held). At the same awards, writer/director Angela Schanelec picked up an award for her script for "Marseille'".

The awards will be presented at the Max Ophuels Prize Film Festival in Saarbruecken on 20 January.

Sunday, January 16, 2005

French and Italian scriptwriters on the web

The web is a vast resource, but the biggest resource is probably the people you can find while you're out there. The writers on Version-Finale (picture) and Sceneggiatori discuss all things scripty in French and Italian respectively. Both are good resources. What you get are tips, advice, links, competition and festival news and the inevitable forum - the place to pick up the latest gossip and sometimes fiery discussion. As with other discussion groups and forums, the more you contribute the more you are likely to get an interesting reply when you post a question or request. Sceneggiatori (literally "scriptwriters" in Italian) also has a newsgroup at "free.it.sceneggiatori". Check it out.

Remember that the Vache Violette project for presenting pitches at Cannes is being run by writers from Version-Finale. For details, check this previous post.

Monday, January 10, 2005

Script & Pitch Workshops: deadline approaching

The deadline for applications for the Script & Pitch Workshops is February 15, 2005. One of several projects supported by the EU's Media Plus programme, the Workshops aim to develop a "European style" (their emphasis) in scriptwriting for cinema and TV. Both the participants and tutors come from a wide variety of countries that now include the newer Member States plus Bulgaria. The courses consist of three workshops in Italy, France and Finland accompanied by continued onlin tutoring. The goal is to have 16 ready-to-shoot scripts. All courses are in English. Fees are €2,000 (€1,500 for writers from new Member States).

For more information, visit Holden Lab.

Thursday, January 06, 2005

Sweden: 3 films dominate local awards

Three films stand to win in the upcoming Guldbagges, Sweden's annual cinema awards: Tomas Alfredson’s black comedy "Four Shades of Brown", first-time film maker Maria Blom’s comedy drama "Dalecarlians" and last year’s biggest local box office success, Kay Pollak’s "As It Is in Heaven". All three are notably in the race for the "Best Screenplay" award. This leaves two critical successes out in the cold: Lukas Moodysson's "A Hole in my Heart" and Teresa Fabik's teenage drama "The Ketchup Effect (Hip-Hip Hora!)".

For more details, check the Swedish Film Institute.

Wednesday, January 05, 2005

BBC Scotland to organise TV drama workshops and screenings

According to a report on The Stage Online: "BBC Scotland is holding a day of screenings, seminars and practical workshops on television drama on January 21. Applicants for the event in Aberdeen need to send a CV, a letter explaining their interest in TV drama, a sample of writing and an idea for a programme by January 14. For more information write to Julie Fraser, Project Producer, The Writers Factory Screenwriting Programme, Scottish Screen, 2nd Floor, 249 West George Street, Glasgow, G2 4QE or call 0141 302 1700."

Click here for more from Stage Online.

Sunday, January 02, 2005

Meet Chris Collins in London January 13

The London-based Script Factory is hosting a meeting with producer Chris Collins, perhaps best-known for "Tomorrow la Scala" for BBC Films and the more recent "My Summer of Love". He will talk to members of the Script Factory on January 13. Quoting from the website: "Chris Collins... has championed some of the most challenging and innovative writers and directors working in the UK film industry. Chris joins us for this exclusive Members-only event to talk about the creative journey from script to screen of this remarkable British movie".

For details, click here.

Update Jan 3: The event is now fully booked. To be kept abreast of Script Factory events, sign up for their newsletter or become a member.

Wednesday, December 29, 2004

Cannes 2005: French-speaking scriptwriters take the bull by the horns

Under the unlikely working title of Vache Violette, a selection of French-speaking scriptwriters are coming together to present their pitches to the Cannes film community. Coming from France, Belgium and Canada, the writers will print a selection and put them under the noses of producers and agents in a way that has never been tried before. Other writers are welcome. Working knowledge of French is advisable. For details, sign up (for free) on Scenaristes en herbe.

"Adventure in Shorts" follows the jump from indie shorts to features

Two years ago, London-based Ashvin Kumar posted a notice asking for a crew to join him in a non-paid gig on the Indian-Pakistani border. The ensuing film, "Road to Ladakh", won dozens of awards and is now being re-made by Richard Dreyfuss' production company. But before arriving on the screen, it suffered countless setbacks including drunken drivers, torrential rain and the lead actor breaking his arm. Kumar's ensuing film, "Little Terrorist", was another trial of endurance that was again highly praised.

These shorts and their tales have been packaged as a DVD that will interest guerilla film-makers, and provide a cautionary tale. They are completemented by a documentary on Kumar's subsequent visit to Cannes.

For more information, visit the official site. To buy the DVD, click here.

Friday, December 24, 2004

Russian cinema about to explode

Russia has always had a unique and powerful cinema, starting with one of the early masters, Eisenstein. Since the fall of the Iron Curtain, the country went through a long curve of importing largely American TV and movies. But last year, Russia produced some 120 features - half the number in France, for example, but still a significant number. Consistent investment over the past 10 years has led to the creation of new studios and facilities. Unlike the rest of Europe, Russian cinema has started to focus very quickly on popular cinema. The most recent example is "Night Watch", which has broken all previous box office records and is Russia's candidate for a Best Foreign Language Oscar. The rights have been bought by Fox Searchlight, with talks of an English-language version.

Speaking to Screen International, producer Konstantin Ernst is upbeat about the future: "I see the Russian market developing along the lines of the Japanese market, rather than the European model. Like Japan, 30-40% of the market will be locally-produced. The Russian economy is growing and it is going to continue to grow. Russian audiences want to see big budget Russian films and this is the kind of film we are going to see produced. For five years Russian audiences wanted to see American TV programmes but after seven years we began to produce our own. Now we are going to see the same with films."

Thursday, December 23, 2004

"Zelary" playing in the US

Fellow movie bloggers "DougandHannah" have pointed out that Ondrej Trojan's gripping "Zelary" is still playing in a few places in the US. The film was the Czech Republic's candidate for a Best Foreign-Language Film for the Oscars last year. The tale is set in Nazi-occupied Czechoslovakia during World War II. Two people from different backgrounds are thrown violently together. Moving but not afraid to pull punches, "Zelary" is a harrowing tale of love during war. The story is taken from a famous novel written by an 80 year-old, Kveta Legatova, who also wrote the script. For more details, read this interesting article from Radio Prague. Read DougandHannah's review here and check US times here.



Monday, December 20, 2004

Oscar nominee "Alzheimer" ripe for re-make

Belgium's hit thriller "De Zaak Alzheimer/the Alzheimer Case" is being prepared for a re-make in the US prior to the film's release there. Written by Erik Van Looy and Carl Joos (on a novel by Jef Geeraerts), the Flemish-language film tells the tale of two Antwerp cops on the trail of a killer with memory problems. The film has been seen by 750,000 people since October and won 4 times at Belgium's annual movie awards.

It is Belgium's nomination for a foreign-language Oscar. This means it is up against movies such as "Les choristes/The Chorus", "Kontroll", "Downfall" and "The Sea Inside".

Wednesday, December 15, 2004

"Basic Instinct" writer looks at Hungarian water polo!

According to a report in Screen International, Joe Eszterhas, the Hungarian-born writer of "Basic Instinct", "Flashdance" and "Showgirls" is looking at dramatising the 1956 water polo match between Hungary and the Soviet Union. Against a backdrop of the Hungarian Revolution, the two teams met at the Olympic semi-finals in Melbourne. The ensuing match is considered to be one of the most violent sports events ever, leaving the pool red with blood.

Eszterhas is also the author of the aptly-named "Hollywood Animal", a tale of greed in movieland. Since contracting throat cancer, it was not felt he would return to writing. The as yet unnamed film is slated for a 2006 release, in time for the 50th anniversary of the match.

"Hollywood Animal" on Amazon US
"Hollywood Animal: A Memoir" on Amazon UK

Monday, December 13, 2004

European Film Awards salute Germany and Spain

Germany and Spain came out as the big winners in this year's European Film Awards, held in Barcelona this weekend. Over a 2-hour ceremony, Germany's Fatih Akin (photo) was first on the podium to pick up the People’s Choice Award for best European director with "Head On/Gegen Die Wand", a drama about an impossible mixed-race love affair that is playing across Europe. He was also the last when "Head On" was later crowned as the best European film of 2004. Agnes Jaoui and Jean-Pierre Bacri won yet another award when their "Look At Me/Comme Une Image" was judged best screenplay. Other significant awards included actors Imelda Staunton for "Vera Drake", Penelope Cruz for "Non ti muovere/Don't Move" and Daniel Bruehl for "Love In Thoughts/Was Nutzt Die Liebe In Gedanken".

Globally, the awards rightly recognised the strength and diversity of current film-making in Germany and Spain. For the full list of winners, visit EFA.

Wednesday, December 08, 2004

Scenario mag offers extracts from recent films in French

Scenario-Mag.com, one of several French sites devoted to scriptwriting, recently decided to throw even more focus on actual scripts. The site currently features 12 pages from "Narco", the tale of a narcoleptic starring Benoit Poelvoorde in an unlikely pairing with Jean-Claude Van Damme. Gilles Lellouche wrote the screenplay from the original story by Alain Attal and Philippe Lefebvre.

Although they are widely available in English, it is hard to find screenplays in French. So Scenario-mag's initiative is invaluable for writers and movie buffs. Other extracts available on the site include "Swimming Pool" and "Un long dimanche de fiançailles/A Very Long Engagement".

To find out more, visit Scenario-Mag.com.

Sunday, December 05, 2004

Scriptunities lists UK opportunities and competitions

Scriptunities, a UK site with extensive lists of competitions and learning possibilities, has just been updated for Christmas with 7 pages of competitions opportunities and contacts mostly with a UK/Europe connection. The list is available as a PDF download or browse online.

Go to Scriptunities

Saturday, December 04, 2004

"Banlieue 13" banned from Brussels major complex

In the sort of publicity that many films would dearly pay for, the latest Luc Besson production "Banlieue 13" (Suburb 13) has been banned from Brussels largest cinema complex Kinepolis. The stylish, acrobatic gang movie written by Bibi Naceri ("La mentale/The Code") and Besson and directed by Pierre Morel fell foul of the complex which has had problems with young gangs and preferred not to create further tension. "Banlieue 13" is showing at other complexes that belong to the same group in other towns, and has caused no incidents in France where 500,000 people have already seen it in two weeks.

Visit the official site and message board (in French) here.

"Banlieue 13" on Amazon FR
Luc Besson On Amazon UK